Allora mio caro è ora che tu ti metta alla ricerca di "the dark side of the Moon" MFSL della mitica Original Master Recording
http://pinkfloydarchives.com/dusmfsl.htm
E' la versione che suona meglio, se hai un impianto stereo degno di nota ti usciranno le lacrime!
questo quello che disse il mitico Parson dopo aver ascoltato il master
MFSL Original Master Recording High Fidelity Cassettes were produced using a one-to-one real time cassette transfer from the original master tapes. No equalization was used during the duplication process. The original cassette master was then transferred, using state of the art equipment, onto high bias BASF Chromium Dioxide tapes for maximum frequency response and minimal background noise. According to Gregg Schnitzer of MFSL, "It was very close in master prep to what the vinyl sounded like with one significant difference. Want some cool trivia? Back in the early 1980s, digital was a bit unpredictable and flaky which is why we used a very expensive 1" video deck (BVH 1000) instead of a U-Matic type 3/4". I'd get these random ticks and pops which we affectionately called zits.
"One night I sat in the studio listening to the Dark Side of the Moon digital copy and was horrified when I heard lots of low level clicks and zit like sounds. So I called my wife to tell her I'd be working until sunup as the approval copy had to go to Alan Parsons via counter-to-counter air as soon as possible. I turned the lights off so I wouldn't be distracted and sat there all night long with the first DAE-1100 editor and made a few hundred one-millisecond edits to get rid of those zits I was hearing. Then I made an approval copy cassette for Alan, sent it on its way, and went home to sleep for a day or two.
"A couple of days later we got a heated call from Mr. Parsons wanting to know, "What the fuck did you do to the master?" I explained that I had done the best mastering job I could and that it compared very favorably to the vinyl and, in fact, I thought it sounded better than the vinyl. Was there some problem? He said that when he had mixed Dark Side of the Moon, the desk drove him nuts because every time he muted or unmuted a track, or switched an EQ in or out, there would be a resulting click or pop. There was no technology to remove these artifacts, so he and the band decided to just live with it. He said, "How the hell did you get rid of those pops. I love it!" He was left with a patient explanation that it was proprietary. Man, I almost soiled my pants only to find out that he was very impressed."